1869-1952 was an American painter. Gray was born into a San Francisco family endowed with a broad literary and artistic background. He studied under Arthur Frank Mathews at the San Francisco School of Design and later under William Merritt Chase. While he had some early Impressionistic tendencies, his primary expression was under the Tonalism Mathews had brought back from Paris. He is known for his extraction of beauty from the Northern California landscape. Alexander Gray, Percy's father, was born in England, but found his way to a successful insurance business in San Francisco. As the byproduct of a childhood illness, Percy realized he had talents in art. From 1886 to 1888 he attended the California School of Design, then led by Mathews. From there he went on to become a newspaper illustrator, obtaining a job with the New York Journal. In New York he also studied at the Art Students League. He was dispatched from New York to cover the 1906 San Francisco earthquake, but decided to remain in his native city where he would then take up his painting career. Gray's first pieces, headland seascapes, were exhibited in 1907; soon thereafter he addressed in watercolor eucalyptus groves and fields of California wildflowers. These subjects would become signatures of his work. Originally Gray's works were oils; however, he eventually developed an allergy to oil paints, and therefore switched to using watercolors as his primary medium. [1] From early on the critics marvelled at his ability to infuse realistic depictions of nature with a mystical and poetic quality. He was clearly applying the precepts of his mentor William Merritt Chase in exaggeration of light and color. From 1912 to 1923 Gray lived in Burlingame, California about twenty miles south of San Francisco, while keeping his studio in the city itself. At the 1915 Panama-Pacific International Exposition he won a bronze medal for his watercolor Out of the Desert, Oregon. Having been a bachelor for 53 years, Gray surprised his friends by marrying. He and his bride moved to the Bonificio Adobe in Monterey, where seascapes and cypress dominated his later works.   Related Paintings of Percy Gray :. | California Landscape | Trees on a Hillside (mk42) | Pastoral Eucalyptus (mk42) | Antumn Dunes (mk42) | Springtime in Corral de Tierra (mk42) |
Related Artists:
Moses, Grandma
1948 Oil on pressed wood.
Julian Scott
American, 1846-1901 ,was born in Johnson, Vermont and was a Union Army drummer during the American Civil War who received America highest military decoration the Medal of Honor for his actions at the Battle of Lee Mills, he was also an American painter and a Civil War artist. Scott received his youthful education at the Lamoille Academy, known today as Johnson State College where the main gallery is named in his memory. Scott continued his studies graduating from the National Academy of Design in New York and subsequently studied under Emmanuel Leutze until 1868. During the Civil War, Scott enlisted in the 3rd Vermont Infantry on June 1, 1861, at the age of 15 as a fifer and in February 1865, was awarded the Medal of Honor for rescuing wounded under enemy fire during the Battle at Lee Mills, Virginia. When the war was over he traveled to Paris and Stuttgart to continue his education. Scott 1872 masterwork, the Battle of Cedar Creek, is located at the Vermont State House. The painting illustrates the contributions of his home state of Vermont in the American Civil War In 1890, and is significant for its absence of glorification of war and instead shows the suffering and human sacrifice associated with war making. Scott traveled west as part of a census party, painting Native Americans in New Mexico, Arizona and Oklahoma. Many of his works from this expedition now hang in the University of Pennsylvania Museum of Art. Scott was interred in Hillside Cemetery located in Scotch Plains, New Jersey
Francken, Frans II
b. 1581, Antwerpen, d. 1642, Antwerpen Painter, son of Frans Francken I. Of all the members of the Francken family, Frans II is the most important and still the most widely known. There are paintings by him in all large public collections in Europe. Besides altarpieces and painted furniture panels, he produced mainly small cabinet pictures with historical, mythological or allegorical themes. Frans II's rank as an artist is not so much derived from his extensive output as from his innovative subject-matter: his depictions of luxuriously decorated Kunstkammern and art galleries